Helen Frankenthaler

At the centre of the large vertical format Barcelona (1987) is free, independent colour, bound neither to the representation of an object nor to a gesture. Frankenthaler herself said, ‘There is no “always”. No formula. There are no rules. Let the painting lead you where it needs to go.’ [1] The work, which she created during a stay in Barcelona, is characterised by a balance of spontaneity and control. [2] Arranged in three vertical bands, the vibrant effect of the painting comes from the deep, saturated colour scheme of emerald green, violet and golden yellow ochre. In some places, she added pearlescent pigments in shades of pink, red and green, which enhance the precious character of the composition with their shimmering effect. Without any of the elements of a traditional landscape painting, the picture conveys the atmospheric density of a place at a specific twilight hour. In Barcelona, the artist succeeds in creating a landscape experience that goes far beyond mere representation, evoking the fleeting atmosphere of the city. In this sense, Frankenthaler remains true to her style: she uses colour to convey emotions and maintains a connection to the real world, even though her works are abstract.

Helen Frankenthaler (1928–2011)

Barcelona, 1987

Currently exhibited: Yes (Helen Frankenthaler: Move and Make)

Material: Acrylic paint on canvas
Size: 235.5 x 165.7 cm
Inv-Nr.: B_585
Image rights: VG Bild-Kunst, Bonn; Copyright: Helen Frankenthaler Foundation, New York

Keywords:

• Abstract Expressionism
• Color field painting
• Soak-stain-technique